An ongoing investigation into how urban environments reshape perception, using the gradual disappearance of the sky as a framework to explore memory, culture, and spatial change.

What becomes perceptible when absence—rather than presence—is measured, translated, and experienced through data?

A collection of voice notes about the meaning of home.

How can a perpetual archive of voices reshape our understanding of home as a shared and evolving construct?

A sonification engine, turning a building into an orchestra.

Can architecture and environments be understood as living systems through sound?

Transforming intimate sounds into visual systems, exploring how personal experience can be measured, structured, and reinterpreted.

What remains of a lived moment when it is translated into data?

Revealing the unseen lives of paintings through data and movement.

What new narratives emerge when the movement of artworks is traced as a system of flows, rather than static objects?

Sonic journaling the acoustic identity of cities.

How can subjective emotional experiences be mapped and shared as collective spatial narratives?

A sensory journey through the electromagnetic sounds of the lights of Tokyo.

What forms of urban life emerge when electromagnetic signals are treated as a sensory and emotional layer of the city?

When noise pollution becomes visible.

In what ways can environmental noise be translated into perceptible forms that alter how we experience urban space?

Translating systems of global mobility into sound and form, where data reveals the structures shaping who can move—and who cannot.

What becomes perceptible when systems of inequality are translated into sound, allowing data to be felt?

Translating the invisible structures of scent into data-driven compositions, where fragrances become systems of relationships.

What forms of knowledge emerge when scent—an inherently intangible experience—is translated into data and visual systems?

From material to sound: shaping an audiovisual composition from the rhythms and textures of bamboo data.

How can bamboo be interpreted as a living archive, a symbol of resilience, craftsmanship and organic evolution?

Limited edition of 25 hand-numbered and signed prints to celebrate the album Metallic Spheres in Colour by The Orb and Pink Floyd’s David Gilmour.

From listening to form: translating the anatomy of sound into data-driven visual compositions.

When sound is made visible, what is preserved—and what is reinterpreted through perception?

Exploring travel as a data-driven autobiography, where movement becomes form and memory becomes structure.

What forms of personal memory emerge when journeys are translated into data-driven visual systems?

From archive, to system: reconstructing narratives of 19th-century life through data extracted from historical news archives.

What new narratives emerge when historical news archives are reinterpreted through data?

Transforming 15 million data points into 30 individual portraits, revealing perfume as a network of relationships shaped by 100 contemporary formulas.

What emerges when scent is translated into a system of data, relationships, and visual form?

Investigating the tension between inner emotional states and the human desire to be seen and understood.

What does it mean to be seen when our inner worlds rarely take a fixed form?

Recording the night to make sense of it: translating insomnia into data-driven visual form, where sound becomes a way to understand and regain control over invisible patterns.

When a restless night is translated into data, what patterns begin to surface—and what do they reveal about control?

From testimony to form: merging refugee voices into a unified audiovisual structure that reflects resilience, conflict, and collective identity.

How can personal narratives of displacement be transformed into shared structures that make collective experience perceptible?

When taste is translated into data, perception becomes form. An investigation into how subjective experience can be translated into structured systems without losing its ambiguity.

What happens when personal perception is translated into a system that tries to standardise it?